Author Archives: Aeryl

About Aeryl

I am a year 3 student of AVA. My creative interest lies in Chinese painting, watercolor painting and installation. I am also interested to merge the style of Chinese painting into other forms of media on some local context. Because I think this will bring the unique sense Hong Kong style which is a mixture of Chinese and western culture.
08023212_Chow_Shek_Lun_01

V.A.2320 Wheel Thrown Functional Ceramics

The idea of using the shape of “Ding” (a 3/4 legged Chinese vessel) on this set of ceramics is to bring out a set of modern classic set of drinking utensil which is quite rare in the market. The classic

Medium: Ceramics
Course:
08023212_Chow_Shek_Lun_01

V.A.2320 Wheel Thrown Functional Ceramics

The idea of using the shape of “Ding” (a 3/4 legged Chinese vessel) on this set of ceramics is to bring out a set of modern classic set of drinking utensil which is quite rare in the market. The classic

Medium: Ceramics
Course:
07015674_Wong_Wai_Shan

Drawing – Sketch

An experiment on employing Chinese painting technique of blank-leaving on a western medium. Apart from that, I also tried to apply the realistic technique of the western drawing on this Chinese approach on composition. I hope to balance out both

Medium: Pencil sketch on paper
Size: 30 x 40 cm
Course:
07015674_Wong_Wai_Shan

Drawing – Sketch

An experiment on employing Chinese painting technique of blank-leaving on a western medium. Apart from that, I also tried to apply the realistic technique of the western drawing on this Chinese approach on composition. I hope to balance out both

Medium: Pencil sketch on paper
Size: 30 x 40 cm
Course:
00150024

Photography – 1

medium: Black and white photography year: 2011 A set of 3 black and white photos took in Shum Shui Po which I hope to show the organic feature, that is the adaptive and inventive way of leaving in a compact

Course:
00150024

Photography – 1

medium: Black and white photography year: 2011 A set of 3 black and white photos took in Shum Shui Po which I hope to show the organic feature, that is the adaptive and inventive way of leaving in a compact

Course:
07004818_Ting_Hiu_Nam_01

Chinese painting project

A shan shui painting of a mountain range. It is based on my impression on Huangshan in China after I visited it last autumn. The mountain range is very deep and far reaching. Part of the mountain range is submerge in

Date of Creation: Jan 2012
Medium: Ink on Xuan paper
Size: 40 x 100 cm
Course:
07004818_Ting_Hiu_Nam_01

Chinese painting project

A shan shui painting of a mountain range. It is based on my impression on Huangshan in China after I visited it last autumn. The mountain range is very deep and far reaching. Part of the mountain range is submerge in

Date of Creation: Jan 2012
Medium: Ink on Xuan paper
Size: 40 x 100 cm
Course:
logo design ava

Logo design

Elements and Principles of Design – Logo Design Year – 2011 An icon of Academy of Visual Arts which employed the design of traditional Chinese seal. The engraving of the abbreviation of Academy of Visual Arts (AVA) was used in

Date of Creation: December 2010
Medium: Poster color on paper
Size: 16 x 20 cm
Course:
logo design ava

Logo design

Elements and Principles of Design – Logo Design Year – 2011 An icon of Academy of Visual Arts which employed the design of traditional Chinese seal. The engraving of the abbreviation of Academy of Visual Arts (AVA) was used in

Date of Creation: December 2010
Medium: Poster color on paper
Size: 16 x 20 cm
Course:
2007_08_Semester_1_VA1510_Drawing_Section_01_05007062_ChanKaYiCathy_

Drawing 3

First work of the Season series. In this series, I try to paint the similar spot of the Kai Tak Campus in different seasons, just like what Monet’s Cathédrale Notre-Dame de Rouen in different hours under different weather conditions.

Date of Creation: Autumn 2011
Medium: Pastel on paper
Size: 28 x 45 cm
Course:
2007_08_Semester_1_VA1510_Drawing_Section_01_05007062_ChanKaYiCathy_

Drawing 3

First work of the Season series. In this series, I try to paint the similar spot of the Kai Tak Campus in different seasons, just like what Monet’s Cathédrale Notre-Dame de Rouen in different hours under different weather conditions.

Date of Creation: Autumn 2011
Medium: Pastel on paper
Size: 28 x 45 cm
Course:
2007_08_Semester_2_V[1].A.2510_Advanced_Visual_Arts_Workshop_Section_01_07005180_Ng_Alan_Ka_Lun_03

Visual art project

On one hand, it is to freeze the moment when the ink got spread across or dripping down. On the other hand, it makes the ink suspend above the air. I think this work bring a sense of uneasiness to

Date of Creation: 2012
Medium: Ink, Gel
Size: 30 x 32 x 60 cm
Course:
2007_08_Semester_2_V[1].A.2510_Advanced_Visual_Arts_Workshop_Section_01_07005180_Ng_Alan_Ka_Lun_03

Visual art project

On one hand, it is to freeze the moment when the ink got spread across or dripping down. On the other hand, it makes the ink suspend above the air. I think this work bring a sense of uneasiness to

Date of Creation: 2012
Medium: Ink, Gel
Size: 30 x 32 x 60 cm
Course:
2007_08_Semester 2 _ VA1015 Chinese Calligraphy _Section01_06003427_ Yip Ting,Wendy

Chinese Calligraphy

A collection of common Chinese proper nouns, idioms and ideas written on a scroll. It’s a Chinese ritual of reincarnation, which is also a similar idea of Nietzsche of eternal recurrence. Every matters written on these scrolls are of an eternal

Date of Creation: 2011
Medium: Ink on scroll
Course:
2007_08_Semester 2 _ VA1015 Chinese Calligraphy _Section01_06003427_ Yip Ting,Wendy

Chinese Calligraphy

A collection of common Chinese proper nouns, idioms and ideas written on a scroll. It’s a Chinese ritual of reincarnation, which is also a similar idea of Nietzsche of eternal recurrence. Every matters written on these scrolls are of an eternal

Date of Creation: 2011
Medium: Ink on scroll
Course:
2007_08_Semester_1_VA1550_Chinese_Art_Studio_Section_1_05018404_Wong_Shun_Yip_Orchid

Chinese art practice – Orchid

The spontaneous expression of a feeling of solemness. I think this painting conveyed a feeling of not being conformity. The large area of blank-leaving gives a great contrast to the orchids, which made the orchids being unique. This painting also gave

Date of Creation: Oct 2012
Medium: Ink on Xuan paper
Size: 60 x 180 cm
Course:
2007_08_Semester_1_VA1550_Chinese_Art_Studio_Section_1_05018404_Wong_Shun_Yip_Orchid

Chinese art practice – Orchid

The spontaneous expression of a feeling of solemness. I think this painting conveyed a feeling of not being conformity. The large area of blank-leaving gives a great contrast to the orchids, which made the orchids being unique. This painting also gave

Date of Creation: Oct 2012
Medium: Ink on Xuan paper
Size: 60 x 180 cm
Course:
2007_08_semester2_VA1170ChineseSealEngraving_section1_06010326_ChanFungSze_01-500x316

Mind acts upon mind

Mind acts upon mind Chinese seal engraving using the seal script. The engraving wording is a 7-words Chinese idiom which literal translation is mind acts upon mind. Usually, Chinese seal is engraved with a person name and seldom there is

Date of Creation: 2012
Medium: Wood engraving
Size: 6 x 6 cm
Course:
2007_08_semester2_VA1170ChineseSealEngraving_section1_06010326_ChanFungSze_01-500x316

Mind acts upon mind

Mind acts upon mind Chinese seal engraving using the seal script. The engraving wording is a 7-words Chinese idiom which literal translation is mind acts upon mind. Usually, Chinese seal is engraved with a person name and seldom there is

Date of Creation: 2012
Medium: Wood engraving
Size: 6 x 6 cm
Course: